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The Heritage Journal, Volume 3, 2008 |
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Articles
Early
Collectors and Their Impact on the Raffles Museum and Library
Megan Osborne
From its central position and the number of persons passing through it
Singapore seems to be marked out as a place where a museum on a large
scale should be established, where traveler or student or businessman
should have before him every possible product of these countries and
specimens . . .” Governor Fredrick Weld, October 12, 1887. (Liu 1987:9).
Displaying
Saris - Fashion Gallery of the National Museum of Singapore
Vidya Murthy
The Fashion Gallery of the National Museum of Singapore, instead of
outlining a traditional historic story of garments and especially the
sari, focuses on which women wore what, how they wore their clothes and
more importantly what kind of individual choices they exercised in
assembling their wardrobes. The display shows how the sari was
transformed in Singapore through the years, 1950-70. The changed
silhouettes and versatile properties of the synthetic materials reveal
the transformations that modernity brought about in the Indian
community. The collection process and the oral histories together not
only offer a social history of this Indian women’s garment, but also
shows how women were active agents who shaped for themselves an identity
that was exciting.
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Notes and Reviews
Symbolic
Perspectives : Views of Fort Canning in the 19th century
Iskander Mydin
From the first to middle decades of the 19th century, European artists
attempted to depict the landscape of the Singapore entrepot which was
established in 1819. These depictions, or more appropriately,
representations, have been acquired for museum collections such as that
of the National Museum of Singapore. There has been very little attempt
at studying these representations. More often than not, these
representations are taken at face value as visual records. Fort Canning
which was of historical and symbolic significance in the pre-colonial
Malay history of the island acquired a similar significance in 1819 and
afterwards when it became the seat of the British Governors of
Singapore, overlloking the Singapore entrepot. As such , visual
representations of Fort Canning by European artists became popular. Fort
Canning was the focal point for viewing the entrepot, either landwards
or seawards. This article tries to look at symbolic perspectives
underlying these artistic representations which could be used to look at
other historical prints and paintings in the collection.
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Articles from the nhb
archives
Summary
History of Asian Textile Materials, and Their Patterning Techniques
(Batik, Bandhana and Ikat) Based on Literary and Pictorial Evidence and
Actual Remains
Constance Sheares
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